Design by Bronwen Sharp

Design by Bronwen Sharp

Wild Women Podcast: a surreal audio drama
Produced by Open Heart Surgery Theatre

A spirited audio-fiction series focusing on the stories of subversive and obscure female painters from around the world and their art. Each episode journeys the listener into a fictional world inspired by the painters work bringing to sonic life the painter’s style – as Martha and Coleen begin to ask questions about the painter’s lives, art and world depicted within the paint – they become so enraptured that we fall into the paintings themselves.

Episode 1 “The Underworld” | Premiered January 21, 2021

Martha Ross and Coleen Shirin MacPherson, two theatre makers find themselves grappling with their obsession with Leonora Carrington, the Mexican painter and writer whose incredible life and art has influenced many artists.  Their obsession transforms as they chat with writer Heidi Sopinka and begin to fall into Carrington’s painting, a world that is strange, animalistic, mythological and absurd.

A sonic experience that is humorous and touching; wild and alive.

Please note we quote from Heidi Sopinka’s article from the Paris Review, “Hey, Necromancer".

Episode 2 “Through the Window” | Premiering January 20, 2022

In this second episode of Wild Women, listeners are invited into the magical realism of German-Canadian painter, Christiane Pflug. Her painting, Kitchen Door With Esther ignites childhood memories, taking the listeners from an isolated kitchen to a wilderness within reach. We journey to the Toronto ravines, to the vault of the AGO and find the trees are speaking …

Kitchen Door With Esther (1965)

This is what I…feel about painting, something is revealed that otherwise would not be known.
— (Pflug, 1970)

Christiane Pflug (1936-1972) is an important German-born Canadian artist who has become known for her detailed drawings and magical realist painting style. Her artistic beginnings began in 1953 when she went to study fashion design in Paris, France. During this time, she met her future husband Michael Pflug who encouraged her to pursue painting. Christiane relocated to Tunis, Africa in 1956 and immigrated to Canada in 1959. These transitions significantly influenced the subject matter of her work which centered on themes of her surrounding environment and her domestic interiors. Many of the works she produced in her short life now reside at several public Canadian art collections.

Kitchen Door With Ursula, 1966, oil on canvas.

Black Flag (Cottingham School, 1971)

Christiane Pflug

TEAM

MARTHA ROSS, playwright / performer

Martha Ross trained at Ecole Jacques Lecoq and has been writing, performing, teaching, directing and creating original theatre ever since. With Theatre Columbus, the company she co-founded in 1983 with Leah Cherniak, Martha collectively created numerous award-winning plays: The Anger in Ernest and Ernestine; Paranoia; The Attic, The Pearls and Three Fine Girl, to name just a few. Their distinctive theatre style,which was physical, comic, serious, anarchic, quickly earned them a national reputation. 

For the past decade Martha has devoted herself to teaching the Lecoq method of creation at universities and private studios across Canada.  She also has received numerous grants and awards for her creative projects, which include a Chalmers Fellowship grant; a CCA New Chapters Grant to write and produce a cabaret theatre piece called The Cave with John Millard and Tomson Highway; and a Creative Accelerator Grant to work with the animator, Bruce Alcock of Global Mechanic. The Cave will be part of the Luminato/ Theatre Passe Muraille 2022 season and will tour BC in the fall of 2022. And for the last few years Martha has joined Coleen MacPherson in their shared passion for women artists, creating the Wild Women podcasts series for Open Heart Surgery Theatre.

COLEEN MACPHERSON, playwright / performer

Coleen is an international theatre artist, playwright and director based in Toronto and trained at Ecole Jacques Lecoq in Paris. Her company, Open Heart Surgery Theatre, creates new work that is multidisciplinary, cross-cultural and often experiments with multiple languages and forms.  Her most recent play, This Is Why We Live held its U.S. premiere at La MaMa in NYC as part of their 58th Season to rave reviews.  She is Playwright in Residence at Cahoots Theatre (Toronto);  Bedrock Creators' Initiative with Factory Theatre (Toronto) and developing the next five episodes of an audio-fiction podcast - a sonic theatre - called Wild Women with playwright, Martha Ross (Digital Originals/CBC; Digital Now, Canada Council).  Her work has toured to Egypt, Poland, France, UK, U.S.A and China; she has worked with companies across Canada, in the UK, Northern Ireland and France.   She is currently developing her play, Erased, a new work in collaboration with Theatre Passe Muraille and York University.   She has taught devising and writing for theatre internationally and delights in bridging the Lecoq pedagogy with the writer's practice. Her workshop, Playwriting in Movement, has inspired writers in film, TV and theatre to develop work that is physical and original.  She currently is a Lecturer of Playwriting I as part of the Centre for Drama, Theatre and Performance at the University of Toronto.  

Coleen is currently Assistant Director at the Stratford Festival to Antoni Cimolino's Richard III in the 2022 season.

AMY NOSTBAKKEN, composer for episode 2

Amy Nostbakken is an award-winning director, writer, performer and composer. She is co-artistic director of the theatre company Quote Unquote Collective in Toronto and core member of Theatre Ad Infinitum in the UK. She has created and composed numerous productions including The Big Smoke (2011) Ballad Of the Burning Star (2013), Bucket List (2016) Mouthpiece (2015) and Now You See Her (2018) – Both Mouthpiece and Now You See Her she directed, co-wrote, composed and performs, both have been published by Coach House Press and Oberon UK. Mouthpiece continues to tour internationally and was been adapted into a multi-award winning feature film directed by Patricia Rozema which premiered at TIFF 2018. Amy is currently creating QUC’s next production Universal Child Care - a Quote Unquote "concert" set to premiere in 2022. A graduate of Concordia University and École Internationale de Théatre Jacques Lecoq in Paris, Amy teaches theatre and voice for both adults and young people. She lives in Toronto.

MITCHELL AKIYAMA, composer for episode 1 

Mitchell Akiyama is a Toronto-based scholar, composer, and artist. His eclectic body of work includes writings about sound, metaphors, animals, and media technologies; scores for film and dance; and objects and installations that trouble received ideas about history, perception, and sensory experience. He holds a PhD in communications from McGill University and an MFA from Concordia University and is Assistant Professor of Visual Studies in the Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto. www.mitchellakiyama.com

CHRIS ROSS-EWART, sound design / editing 

CHRIS ROSS-EWART (he/him) is a sound designer, composer, and performer based in Vancouver, Canada. Learning the cello at an early age, his musical experience ranges from orchestral and chamber music to experimental electronic composition. Studying theatre at the University of Toronto introduced him to composition and sound design for theatre. He developed his practice further at the MFA program in Sound Design at Yale School of Drama. Now working across the US, Canada, and the world, his experience ranges from performer to composer to designer, in theatre, musical theatre, dance, film, podcasts and installation. He also works as a mental health worker at Insite, a safe injection site, and would love to talk to you about ending the war on drug users. https://www.chrisross-ewart.com

For Ep. 1 Thank you to:  Yearime Castel Barragan, Jennifer Brewin, Carey GrahamJohn Millard and Heidi Sopinka; and to the women who have worked and inspired the development of Surrealist Women: Miranda Calderon, Nina Gilmour, Estela Leñero

For Ep. 2 Thank you to: Georgiana Uhlyurik, curator at the AGO; Amy Furness and Marilyn Nazar at the AGO; Vivian Meyer and Elizabeth Martin who co-wrote ‘Female Gazes’ where we first learned about Christiane Pflug; thank you Ann Davis for her relentless work, to Ursula and Esther Pflug … who we had the unique chance to meet and share stories over Zoom.



Thank you to Canada Council for the Arts for the Digital Originals and Digital Now grants

 
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